The Evolution of Ideology and Politics in Iran from the Early Days of the Islamic Republic. Notes for a Topography of Muralism in Tehran

Authors

  • Raffaele Mauriello Faculty of Persian Literature and Foreign Languages, Allameh Tabataba’i University, Tehran, Iran

Abstract

In the late 1970s and with the advent of the Islamic Revolution (1977-79), muralism became a key feature of Iran’s landscape. Since the revolution and later the Iran-Iraq war (1980-88), the walls of the streets of major cities became the locus of ideological struggles and political propaganda. With shifts in political tides, the Iranian state’s propaganda art underwent various mutations. The location of the murals within the city landscape through topography represents a critical element of their message. No other city as Iran’s capital, Tehran, has been the theatre and witness to the political and ideological developments of the country. Within Tehran, District 6 is of paradigmatic value. It is situated at the city’s geographical centre, hosting important buildings and institutions, and it has been the theatre of important events in the country’s contemporary history. Therefore, localising its murals is critical to revealing their message and the country’s ideological landscape and faultlines. The work is based on an archive developed by the Author on the field and a survey conducted in 2011 by the Organisation for the Beautification of the City of Tehran. The topographic localisation of the murals was developed using Google My Maps.

References

Abidi A.H.H., “The Tehran Documents”, India International Centre Quarterly, 12, 3, 1985, pp. 273-285.

AFP, “Iran’s iconic anti-US murals make way for a new generation of artwork”, Yahoo, 2019a, https://news.yahoo.com/irans-iconicanti- us-murals-way-generation-artwork-191634753.html.

AFP, “New murals, same tension at ex-US embassy in Tehran”, France24, 2019b, https://www.france24.com/en/20191102- new-murals-same-tension-at-ex-us-embassyin- tehran.

Chehabi H.E. and Christia F., “The Art of State Persuasion: Iran’s Post-Revolutionary Murals”, Persica, 22, 2008, pp. 1-13.

Chelkowski P. and Dabashi H., Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran, London, Booth-Clibborn Editions, 2000.

Cosgrove D., “Art and Mapping: An Introduction”, Cartographic Perspectives, 53, 2006, pp. 4-5.

Danby N., “How the Downing of Iran Air flight 655 still Sparks US-Iran Enmity”, Responsible Statecraft, 2021, https:// responsiblestatecraft.org/2021/07/02/howthe- downing-of-iran-air-flight-655-stillinfluences- us-iran-enmity/.

D’Ignazio C., “Art and Cartography”, in Castree N., Kitchin R., Thrift N., Crang M. and Domosh M. (Eds.), International Encyclopedia of Human Geography, Amsterdam, Elsevier, vol. 1, 2009, pp. 190-206.

Field K., “Art in C’art’ography”, The Cartographic Journal, 46, 4, 2009, p. 287.

Grigor T., Contemporary Iranian art: From the Street to the Studio, London, Reaktion Books, 2014.

Gruber Ch. J, “The Message is on the Wall: Mural Arts in Post-Revolutionary Iran”, Persica, 22, 2008, pp. 15-46.

Hawkins H., “Dialogues and Doings: Sketching the Relationships between Geography and Art”, Geography Compass, 5, 7, 2011, pp. 464-478.

Mauriello R., “El muralismo y la guerra de las imágenes en México e Irán. Representación, imaginario y memoria de la revolución”, in Camacho Padilla F. and Fernando Escribano M. (Eds.), Una vieja amistad. Cuatrocientos años de relaciones históricas y culturales entre Irán y el mundo hispánico, Madrid, Sílex, 2020, pp. 459-484.

Mauriello R., “Latin America’s Visual Culture and Committed Art in Iran in the Advent of the Islamic Revolution: Lost and Hidden Murals of Iran’s 1977–1979 Revolution”, in Mauriello R., Camacho Padilla F. and Escribano Martín F. (Eds.), The Islamicate and Ibero-American Worlds: Mapping South-South Connections during the Decolonization Process and Cold War (1810-1990), Leiden, Brill, forthcoming 2023a.

Mauriello R., “The Visual Culture of the Revolutionary Processes of Latin America in the Islamic Revolution of Iran: The Street and the Studio”, International Journal for History, Culture and Modernity, forthcoming 2023b.

Mitchell W.J.T., Picture Theory: Essays on Verbal and Visual Representation, Chicago, University of Chicago Press, 1994.

Mitchell W.J.T., What do Pictures Want? The Lives and Loves of Images, Chicago, University of Chicago Press, 2005.

Mirzoeff N., An Introduction to Visual Culture, 2nd edition, London and New York, Routledge, 2009.

Naqqashi-ye divari-ye Tehran [Mural painting in Tehran] (vol. 6), Organisation for the Beautification of the City of Tehran, Tehran, n.p., n.d.

Panneells I., “Mapping in Art”, in Kent A.J. and Vujakovic P. (Eds.), The Routledge Handbook of Mapping and Cartography, Abingdon, Routledge, 2018, pp. 517-552.

Warf B. and Arias S., “Introduction: The Reinsertion of Space in the Humanities and Social Sciences”, in Warf B. and Arias S., (Eds.), The Spatial Turn: Interdisciplinary Perspectives, Abingdon and New York, Routledge, 2009, pp. 1-10.

Downloads

Published

2023-06-01

Issue

Section

Mapping societies (ed. by Laura Lo Presti and Matteo Marconi)